He soon began recording his own music while performing with the hip-hop act the Whooliganz and on occasion, contributing to albums by other artists. Upon his release, Binzer directed his focus toward music, a passion he had cultivated since discovering the Beastie Boys' Licensed to Ill (1986). The latter came to an ignominious end when he was sentenced to three months in prison following an attempt to rob another dealer. The younger Binzer's initial interests hewed closer to graffiti, skateboarding and shoplifting, which allegedly preceded a lucrative if dangerous stint as a drug dealer. 23, 1974 in Los Angeles, Seth Brooks Binzer was the son of Rollin Binzer, an art director for Chess Records, advertising executive and occasional documentary filmmaker whose titles included the concert film "Ladies and Gentlemen: The Rolling Stones" (1974). Binzer's struggles served as one of the more unfortunate cautionary tales about fame, celebrity and their connections to addiction.īorn Aug. By 2011, he was back in the news for arrest warrants within a year's time, he was hospitalized in an unresponsive state after an apparent overdose. His four stints on the reality series were marked by frequent relapses, followed by firm commitments to sobriety that were often undone by the following season. The band collapsed after the failure of their second record in 2003, and while Binzer enjoyed sophomore success by lending his raspy vocals to Paul Oakenfold's song "Starry Eyed Surprise" that same year, he was soon gaining more notoriety as a cast member of "Celebrity Rehab" (VH1, 2008- ) than for any musical efforts. Cocaine was Binzer's bête noire for most of his adult life, landing him in rehabilitation facilities both before and after his brush with worldwide success when the Crazy Town single "Butterfly" reached No. In a 1999 promotional interview, singer-producer Seth "Shifty Shellshock" Binzer billed himself as a combination of "Sid Vicious, Kurt Cobain and Biggie Smalls in one body." Sadly, Binzer, who fronted the rap-rock group Crazy Town, seemed hell-bent on recreating not the achievements of those doomed music figures, but rather their tragically short life spans.
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